Tuesday, 23 December 2014
Rajput Proud
Yu to Muddato se Milta h Jeevan Rajput ka,
Phir b yes Duniya inhe kharab kehti h,
DHARM hamara Jaan se Pyaara hota h,
Bas isliye yes Duniya Hame Badnam karti h.
Jab banti h in Duniyawalo ki Jaan pe,
Tb inhe “RAJPUTO” ki yaad aati h,
Or tab Uthta h ek RAJPUT,
To yes Sari Duniya use SALAM karti h.
Phir b yes Duniya inhe kharab kehti h,
DHARM hamara Jaan se Pyaara hota h,
Bas isliye yes Duniya Hame Badnam karti h.
Jab banti h in Duniyawalo ki Jaan pe,
Tb inhe “RAJPUTO” ki yaad aati h,
Or tab Uthta h ek RAJPUT,
To yes Sari Duniya use SALAM karti h.
जय राजपूताना
Friday, 12 December 2014
Rani Durgavati ( रानी दुर्गावती )
She gave birth to a son in 1545 A.D. who was named Vir Narayan. Dalpatshah died in about 1550 A.D. As Vir Narayan was too young at that time, Durgavati took the reins of the Gond kingdom in her hands. Two ministers Adhar Kayastha and Man Thakur helped the Rani in looking after the administration successfully and effectively. Rani moved her capital to Chauragarh in place of Singaurgarh. It was a fort of strategic importance situated on the Satpura hill range.
It is said that trade flourished during this period. Peole were prosperous. Like her husband's predecessors she extended her territory and accomplished the political unification of Gondwana, also called Garha-Katanga, with courage, generosity and tact. Out of 23,000 villages in her kingdom 12,000 were directly managed by her government. Her large well equipped army is said to have consisted of 20,000 cavalry and 1,000 war elephants besides a good number of foot soldiers. Durgavati combined beauty and grace with courage and wisdom. She carried out many useful public works in different parts of her kingdom, winning the hearts of her people. She built a great reservoir close to Jabalpur, called Ranital. Following her initiative one of her attendants built Cherital and the Adhartal was built three miles from Jabalpur by her minister Adhar Kayastha. She is also reputed to have been a liberal patron of learning...
It is said that trade flourished during this period. Peole were prosperous. Like her husband's predecessors she extended her territory and accomplished the political unification of Gondwana, also called Garha-Katanga, with courage, generosity and tact. Out of 23,000 villages in her kingdom 12,000 were directly managed by her government. Her large well equipped army is said to have consisted of 20,000 cavalry and 1,000 war elephants besides a good number of foot soldiers. Durgavati combined beauty and grace with courage and wisdom. She carried out many useful public works in different parts of her kingdom, winning the hearts of her people. She built a great reservoir close to Jabalpur, called Ranital. Following her initiative one of her attendants built Cherital and the Adhartal was built three miles from Jabalpur by her minister Adhar Kayastha. She is also reputed to have been a liberal patron of learning...
Friday, 28 November 2014
Rajput Poetry
राजपूतों की ऐसी कहानी है , कि राजपूत ही राजपूत कि निशानी है l
हम जब आये तो तुमको एहसास था , कि कोई एक शेर मेरे पास था ll
हम गरम खून के उबाल हैं , प्यासी नदियों की चाल हैं , l
हमारी गर्जना विन्ध्य पर्वतों से टकराती है और हिमालय की चोटी तक जाती है ll
हम थक कर बैठेने वाले रड बांकुर नहीं ठाकुर हैं .... l
गर्व है हमें जिस माँ के पूत हैं , जीतो क्यूंकि हम राजपूत हैं ll
हम मृतयु वरन करने वाले जब जब हथियार उठाते हैं l
तब पानी से नहीं शोनीत से अपनी प्यास बुझाते हैं ll
हम राजपूत वीरो का जब सोया अभिमान जगता हैं l
तब महाकाल भी चरणों पे प्राणों की भीख मांगता हैं ll
शूरबाहूषु लोकोऽयं लम्बते पुत्रवत् सदा ।
तस्मात् सर्वास्ववस्थासु शूरः सम्मानमर्हित।।
न िह शौर्यात् परं िकंचित् ित्रलोकेषु िवधते।
शूरः सर्वं पालयित सर्वं शूरे पर्ितिष्ठतम् ।।
Arms of the brave (kshatriya) always support and sustain the people like (a father his) son.
A brave (kshatriya) is, for this reason, honoured by all, in all situations.
There is nothing in all the three worlds, which is beyond (the reach of) bravery.
Brave (kshatriya) sustains all, and all depend upon the brave.
Monday, 24 November 2014
Rajput Proud - Culture of Rajputs
Culture of Rajputs
Culture of Rajput is known for his dignity,sacrifice,morality
loyalty,bravery,honesty,beauty elegance,virtues and it is so genuine
and diversified that one cant narrates its beauty in words and there
is something in our culture that its a Exotic and fascinating subject
for others.
It is very well said in a Hindi Proverb “All have been wiped away from
the face of the Earth,there is something unique in in Rajput Culture
that our existence continues indefinitely
If talking about the above qualities we have Testimony for that:
loyalty,bravery,honesty,beauty
and diversified that one cant narrates its beauty in words and there
is something in our culture that its a Exotic and fascinating subject
for others.
It is very well said in a Hindi Proverb “All have been wiped away from
the face of the Earth,there is something unique in in Rajput Culture
that our existence continues indefinitely
If talking about the above qualities we have Testimony for that:
Bravery of Rajputs
* Bravery : who is more Brave then Maharana Pratap and Maharana Sanga
Maharana Pratap Spurned offer of Akbar because of
Pride of Rajputana.He didn’t want a subordinate Rajputana otherwise he
could live a imperial life in spite of eating Roti (Chappati) which was made of
‘grass”
Maharana Sanga : He was a great warrior.He was suffering from more then
100 fatal wounds on his body and still he was fighting
Maharana Pratap Spurned offer of Akbar because of
Pride of Rajputana.He didn’t want a subordinate Rajputana otherwise he
could live a imperial life in spite of eating Roti (Chappati) which was made of
‘grass”
Maharana Sanga : He was a great warrior.He was suffering from more then
100 fatal wounds on his body and still he was fighting
Dignity of Rajputs
Dignity : who is more dignified then Prithviraj chouhan who left the
life of Mohhmad Gori after him many times. A real dignified man in
History
life of Mohhmad Gori after him many times. A real dignified man in
History
Loyalty of Rajputs
Loyalty : who is more loyal then veer Durga Das Rathore,who fought
against foreign invaders to provide the kingdom to his owner,who was a
child.
against foreign invaders to provide the kingdom to his owner,who was a
child.
Sacrifice of Rajputs
The biggest Sacrifice by a women towards her husband was
done by Rajput Women’s.They set herself in funeral Pyre of her husband.
the real Amazon.
Once. A Rajput Chundawat King was going on battle,so he asked her wife
that I am going on battle,I don’t know weather I come back or not,so
give me something which remind me about you.So the wife of chundawat
King cut her head and gave it to her husband.
done by Rajput Women’s.They set herself in funeral Pyre of her husband.
the real Amazon.
Once. A Rajput Chundawat King was going on battle,so he asked her wife
that I am going on battle,I don’t know weather I come back or not,so
give me something which remind me about you.So the wife of chundawat
King cut her head and gave it to her husband.
Meaning of Banna
Because of High Sacrifices , Rajput men are called “Banna ” as they gave thier kingdoms and states to government for building “ONE INDIA” .
Beauty of Rajputs
Beauty : who is more beautiful then Rani Padmini.She is known for her
divine Beauty in world history.
divine Beauty in world history.
And many more,whose contribution play a vital role in the History of Rajput.
Thursday, 20 November 2014
Man Singh Tomar
Raja Man Singh Tomar was a Tomar ruler of Gwalior who ascended the throne in 1486 AD.
Raja Man Singh Tomar was born to Raja Kalyanmall Tomar of Gwalior. He ruled for over 30 years. The three generation of Gwalior tomar dynasty died in the battle of Haldighati.
Raja Man Singh was a great warrior and great patron of music. One of the nine gems of his court was Tansen.[2] He was patron of Dhrupad gharana.[3] The word Dhrupad is the Hindi form of the original Sanskrit, Dhruvapada, a combination of Dhruva = structured or rigid and Pada = word. He was pivotal in replacing Sanskrit with Hindi in music.
The 15th century Gujari Mahal is a monument of love by Raja Man Singh Tomar for his Gujari queen, Mrignayani. After he had wooed and won her, Mrignayani demanded for a separate palace with a constant water supply from the River Rai. The outer structure of the Gujari Mahal has survived in an almost total state of preservation, the interior has been now converted into an archaeological Museum.
Within Gwalior Fort, also built by Raja Mansingh Tomar, is the Man Mandir Palace,[4] built between 1486 and 1517.
Gwalior Fort (Hindi: ग्वालियर क़िला Gwalior Qila) is an 8th-century hill fort near Gwalior, Madhya Pradesh, central India. The fort consists of a defensive structure and two main palaces, Gurjari Mahal and Man Mandir, built by Man Singh Tomar. The fort has been controlled by a number of different rulers over time. The Gurjari Mahal palace was built for Queen Mrignayani. It is now an archaeological museum.
Saturday, 15 November 2014
Rajput Proud
रात चौंधाई, दिन घबराया
जब इस धरती पर राजपूत आया !!धरती भी डोली, आई सूरज पर भी छाया
जब इस धरती पर राजपूत आया !!
पहाडो को झुकाया, मौत को भी तड़पाया
जब इस धरती पर राजपूत आया !!
शौर्य को जगाया
शौर्य को लड़ाया
शौर्य को हराया
जब इस धरती पर राजपूत आया !!
दुश्मन घबराया
दुश्मन को हराया
दुश्मन के किले की नींव को हिलाया
जब इस धरती पर राजपूत आया !!
समाज को प्रकाश दिखाया
समाज को बचाया
समाज को न्याय दिलाया
जब इस धरती पर राजपूत आया !!
धरती पर एक समानता को फैलाया
आर्यव्रत की शान को बढाया
तलवारों के स्तंभों से प्यार का पुल बनाया
जब इस धरती पर राजपूत आया !!
औरत को समाज में मान दिलाया
कमजोर भी मजबूत हालत में आया
जब इस धरती पर राजपूत आया !!
अग्नि को लोगो ने ठंडा पाया
समंदर को भी लोगो ने जमता पाया
जब इस धरती पर राजपूत आया
दुश्मन की आँखों में आया डर का साया
शेर भी उस दहाड़ से घबराया
जब इस धरती पर राजपूत आया !!
इनके क्रोध को न जगाना
इनके धैर्य को न डगाना
क्योंकि तब- तब प्रिलय आई है
जब- जब इस धरती पर राजपूत आया
राजपूत
Wednesday, 12 November 2014
Monday, 10 November 2014
Rajputana
बडे जतन से पाया,
महा पुण्य का फल साथी ,
ये महा तपोँ की छाया,
मातृभूमी की रक्षा का,
सतयुग से भार उठाए,
तुमने भारत की सेवा मे,
मुँडो के माल चढाए.
तुम्ही ने बनकर भीष्म,
सदा काँटो को हृदय से लगाया,
महा पुण्य का फल…
तुम्ही राणा बनकर गरजे ,
मुगलो पर बिजली बन बरसे ,
तुम्ही ने हल्दिघाटी मे ,
बलिदान किए हसते हसते,
तुमने अपने भुज बल से कितने,
वीरो का होश उडाया,
महा पुण्य का फल…
है शान हमारी सदा ईसी मे,
पथ पर चलते जाए,
अपने विश्वास बुद्दि बल से,
दुनिया को राह दिखाए,
तुम राजपूत के वंशज हो,
जो सदा विजय घर लाए
महापुण्य का फल ..
Sunday, 9 November 2014
Rani Padmini - The Great Rajput Queen
In the 12th and 13th centuries, the Sultanate of Delhi - the kingdom set up by the invaders was nevertheless growing in power. The Sultans made repeated attack on Mewad on one pretext or the other. Here we may recollect the story of Rani Padmani who was the pretext for Allah-ud-din Khilji's attack on Chittod. In those days Chittod was under the Rule of King Ratansen, a brave and noble warrior-king. Apart, from being a loving husband and a just ruler, Ratansen was also a patron of the arts. In his court were many talented People one of whom was a musician named Raghav Chetan. But unknown to anybody, Raghav Chetan was also a sorcerer. He used his evil talents to run down his rivals and unfortunately for him was caught red-handed in his dirty act of arousing evil spirits.
On hearing this King Ratansen was furious and he banished Raghav Chetan from his kingdom after blackening his face with face and making him ride a donkey. This harsh Punishment earned king Ratansen an uncompromising enemy. Sulking after his humiliation, Raghav Chetan made his way towards Delhi with -the aim of trying to incite the Sultan of Delhi Ala-ud-din Khilji to attack Chittor.
On approaching Delhi, Raghav Chetan settled down in one of the forests nearby Delhi which the Sultan used to frequent for hunting deer. One day on hearing the Sultan's hunt party entering the forest, Raghav-Chetan started playing a melodious tone on his flute. When the alluring notes of Raghav-Chetan flute reached the Sultan's party they were surprised as to who could be playing a flute in such a masterly way in a forlorn forest.
The Sultan despatched his soldiers to fetch the person and when Raghav-Chetan was brought before him, the Sultan Ala-ud-din Khilji asked him to come to his court at Delhi. The cunning Raghav-Chetan asked the king as to why he wants to have an ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav-Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini's beauty, Ala-ud-din's lust was aroused and immediately on returning to his capital he gave orders to his army to march on Chittor.
On being persuaded by her husband Rana Ratansen, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror. On the word being sent to Ala-ud-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.
But to his dismay, on reaching Chittor, Ala-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, he sent word to King Ratansen that he looked upon Padmini as his sister and wanted to meet her. On hearing this, the unsuspecting Ratansen asked Padmini to see the 'brother'. But Padmini was more wordly-wise and she refused to meet the lustful Sultan personally.
But on being persuaded she consented to allow Ala-ad-din to see her only in a mirror. On the word being sent to Ala-ad-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.
On seeing Padmini, the lustful 'brother' decided that he should secure Padmini for himself. While returning to his camp, Ala-ad-din was accompanied for some way by King Ratansen. Taking this opportunity, the wily Sultan treacherously kidnapped Ratansen and took him as a prisoner into his camp.
Ala--ad-din showed his true colours and demanded , that Padmini be given to him and in return Ratnanen was to get his liberty. Word was sent into the palace about the Sultan's demand.
The Rajput generals decided to beat the Sultan at his own game and sent back word that Padmini would be given to Ala-ad-din the next morning. On the following day at the crack of dawn, one hundred and fifty palakies (covered cases in which royal ladies were carried in medieveal times) left the fort and made their way towards Ala-ad-din's camps The Palkies stopped before the tent where king Ratnasen was being held prisoner. Seeing that the Palkies had come from Chittor; and thinking that they had brought along with them his queen, king Ratansen was mortified. But to his surprise from the palkies came out, not his queen and her women servants but fully armed solders, who quickly freed Ratansen and galloped away towards Chittor on horses grabbed from Ala-ad-din's stables.
On hearing that his designs had been frustrated, the lustful Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay siege to the fort. The siege was a long drawn one and gradually supplied within the fort were depleted. Finally King Ratnasen gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan's army in which they were sure to perish, the women of Chittor had either to commit suicides or face dishonour at the hands of the victorious enemy.
The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside. With their womenfolk dead, the men of Chittor had nothing to live for. Their charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished. After this phyrrhic victory the Sultan's troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.
These women who committed Jauhar (Johar) had to perish but their memory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice.
On hearing this King Ratansen was furious and he banished Raghav Chetan from his kingdom after blackening his face with face and making him ride a donkey. This harsh Punishment earned king Ratansen an uncompromising enemy. Sulking after his humiliation, Raghav Chetan made his way towards Delhi with -the aim of trying to incite the Sultan of Delhi Ala-ud-din Khilji to attack Chittor.
On approaching Delhi, Raghav Chetan settled down in one of the forests nearby Delhi which the Sultan used to frequent for hunting deer. One day on hearing the Sultan's hunt party entering the forest, Raghav-Chetan started playing a melodious tone on his flute. When the alluring notes of Raghav-Chetan flute reached the Sultan's party they were surprised as to who could be playing a flute in such a masterly way in a forlorn forest.
The Sultan despatched his soldiers to fetch the person and when Raghav-Chetan was brought before him, the Sultan Ala-ud-din Khilji asked him to come to his court at Delhi. The cunning Raghav-Chetan asked the king as to why he wants to have an ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav-Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini's beauty, Ala-ud-din's lust was aroused and immediately on returning to his capital he gave orders to his army to march on Chittor.
On being persuaded by her husband Rana Ratansen, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror. On the word being sent to Ala-ud-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.
But to his dismay, on reaching Chittor, Ala-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, he sent word to King Ratansen that he looked upon Padmini as his sister and wanted to meet her. On hearing this, the unsuspecting Ratansen asked Padmini to see the 'brother'. But Padmini was more wordly-wise and she refused to meet the lustful Sultan personally.
But on being persuaded she consented to allow Ala-ad-din to see her only in a mirror. On the word being sent to Ala-ad-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.
On seeing Padmini, the lustful 'brother' decided that he should secure Padmini for himself. While returning to his camp, Ala-ad-din was accompanied for some way by King Ratansen. Taking this opportunity, the wily Sultan treacherously kidnapped Ratansen and took him as a prisoner into his camp.
Ala--ad-din showed his true colours and demanded , that Padmini be given to him and in return Ratnanen was to get his liberty. Word was sent into the palace about the Sultan's demand.
The Rajput generals decided to beat the Sultan at his own game and sent back word that Padmini would be given to Ala-ad-din the next morning. On the following day at the crack of dawn, one hundred and fifty palakies (covered cases in which royal ladies were carried in medieveal times) left the fort and made their way towards Ala-ad-din's camps The Palkies stopped before the tent where king Ratnasen was being held prisoner. Seeing that the Palkies had come from Chittor; and thinking that they had brought along with them his queen, king Ratansen was mortified. But to his surprise from the palkies came out, not his queen and her women servants but fully armed solders, who quickly freed Ratansen and galloped away towards Chittor on horses grabbed from Ala-ad-din's stables.
On hearing that his designs had been frustrated, the lustful Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay siege to the fort. The siege was a long drawn one and gradually supplied within the fort were depleted. Finally King Ratnasen gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan's army in which they were sure to perish, the women of Chittor had either to commit suicides or face dishonour at the hands of the victorious enemy.
The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside. With their womenfolk dead, the men of Chittor had nothing to live for. Their charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished. After this phyrrhic victory the Sultan's troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.
These women who committed Jauhar (Johar) had to perish but their memory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice.
Jai Rajputana
Saturday, 8 November 2014
Friday, 7 November 2014
भगवान राम का वंश
भगवान राम का वंश --
ब्रह्मा की उन्चालिसवी पीढ़ी में श्रीराम का जन्म हुआ.हिंदू धर्म में राम को विष्णु का सातवाँ अवतार माना जाता है।
वैवस्वत मनु के दस पुत्र थे - इल, इक्ष्वाकु, कुशनाम, अरिष्ट, धृष्ट,
नरिष्यन्त,करुष, महाबली, शर्याति और पृषध।
राम का जन्म इक्ष्वाकु के कुल में हुआ था।
जैन धर्म के तीर्थंकर निमि भी इसी कुल के थे।
मनु के दूसरे पुत्र इक्ष्वाकु से विकुक्षि,
निमि और दण्डक पुत्र उत्पन्न हुए।
इस तरह से यह वंश परम्परा चलते-चलते
हरिश्चन्द्र, रोहित, वृष, बाहु और सगरतक पहुँची।
इक्ष्वाकु प्राचीन कौशल देश के राजा थे और इनकी राजधानी अयोध्या थी।
रामायण के बालकांड में गुरु वशिष्ठजी द्वारा राम के कुल का वर्णन किया
गया है जो इस प्रकार है
१ - ब्रह्माजी से मरीचि हुए।
२ - मरीचि के पुत्र कश्यप हुए।
३ - कश्यप के पुत्र विवस्वान थे।
४ - विवस्वान के वैवस्वत मनु हुए.वैवस्वत मनु के समय जल प्रलय हुआ था।
५ - वैवस्वतमनु के दस पुत्रों में से एक का नाम इक्ष्वाकु था।
इक्ष्वाकु ने अयोध्या को अपनी राजधानी बनाया और इस प्रकार इक्ष्वाकु
कुलकी स्थापना की।
६ - इक्ष्वाकु के पुत्र कुक्षि हुए।
७ - कुक्षि के पुत्र का नाम विकुक्षि था।
८ - विकुक्षि के पुत्र बाण हुए।
९ - बाण के पुत्र अनरण्य हुए।
१०- अनरण्य से पृथु हुए
११- पृथु से त्रिशंकु का जन्म हुआ।
१२- त्रिशंकु के पुत्र धुंधुमार हुए।
१३- धुन्धुमार के पुत्र का नाम युवनाश्व था।
१४- युवनाश्व के पुत्र मान्धाता हुए।
१५- मान्धाता से सुसन्धि का जन्म हुआ।
१६- सुसन्धि के दो पुत्र हुए- ध्रुवसन्धि एवं प्रसेनजित।
१७- ध्रुवसन्धि के पुत्र भरत हुए।
१८- भरत के पुत्र असित हुए।
१९- असित के पुत्र सगर हुए।
२०- सगर के पुत्र का नाम असमंज था।
२१- असमंज के पुत्र अंशुमान हुए।
२२- अंशुमान के पुत्र दिलीप हुए।
२३- दिलीप के पुत्र भगीरथ हुए।
भगीरथ ने ही गंगा को पृथ्वी पर उतरा था.भगीरथ के पुत्र ककुत्स्थ थे।
२४- ककुत्स्थ के पुत्र रघु हुए।
रघु के अत्यंत तेजस्वी और पराक्रमी नरेश होने केकारण उनके बाद इस वंश का
नाम रघुवंश हो गया,तब राम के कुल को रघुकुलभी कहा जाता है।
२५- रघु के पुत्र प्रवृद्ध हुए।
२६- प्रवृद्ध के पुत्र शंखण थे।
२७- शंखण के पुत्र सुदर्शन हुए।
२८- सुदर्शन के पुत्र का नाम अग्निवर्ण था।
२९- अग्निवर्ण के पुत्र शीघ्रग हुए।
३०- शीघ्रग के पुत्र मरु हुए।
३१- मरु के पुत्र प्रशुश्रुक थे।
३२- प्रशुश्रुक के पुत्र अम्बरीष हुए।
३३- अम्बरीष के पुत्र का नाम नहुष था।
३४- नहुष के पुत्र ययाति हुए।
३५- ययाति के पुत्र नाभाग हुए।
३६- नाभाग के पुत्र का नाम अज था।
३७- अज के पुत्र दशरथ हुए।
३८- दशरथ के चार पुत्र राम, भरत, लक्ष्मण तथा शत्रुघ्न हुए।
इस प्रकार ब्रह्मा की उन्चालिसवी पीढ़ी में श्रीराम का जन्म हुआ.
श्री राम चंद्र कृपालु भजमन हरण भाव भय दारुणम्।
नवकंज लोचन कंज मुखकर, कंज पद कन्जारुणम।
कंदर्प अगणित अमित छवी नव नील नीरज सुन्दरम। पट्पीत मानहु तडित रूचि शुचि
नौमी जनक सुतावरम।
भजु दीन बंधू दिनेश दानव दैत्य वंश निकंदनम।
रघुनंद आनंद कंद कौशल चंद दशरथ नन्दनम ।
सिर मुकुट कुण्डल तिलक चारु उदारू अंग विभुषणं।
आजानु भुज शर चाप धर संग्राम जित खर - धुषणं।
इति वदति तुलसीदास शंकर शेष मुनि मन रंजनम।
मम हृदय कुंज निवास कुरु कामादी खल दल गंजनम।
मनु जाहिं राचेऊ मिलिहि सो बरु सहज सुंदर सावरों।
करुना निधान सुजान सिलू सनेहू जानत रावरो।
एही भाँती गौरी असीस सुनी सिय सहित हिय हरषी अली।
तुलसी भवानी पूजी पूनी पूनी मुदित मन मन्दिर चली।
जानी गौरी अनुकूल सिय हिय हरषु न जाए कहीं।
मंजुल मंगल मूल बाम अंग फ़र्क़न लगे।
जानि गौरी अनुकूल सिय हिय हरषु न जाइ कहि।
मंजुल मंगल मूल वाम अंग फरकन लगे ।
राम से बड़ा राम का नाम,,,,,,
Thursday, 6 November 2014
Rajputana Poem
आज में युद्ध का शंखनाथ बजाता हूँ!
आज में तलवार उठाता हूँ
ज़िन्दगी जियूँगा तोह अपने उस्सुलो पे
आज माँ चामुंडा की सोगंध खाता हूँ
आज में शंखनाथ बजाता हूँ
आज में तलवार उठाता हूँ
परवाह नहीं आज किसी की,
डर नहीं मृत्युभ का भी
आज नया इतहास रचता हूँ
आज में तलवार उठाता हूँ
सत्य की लड़ाई में आज प्राण निछावर करूँगा
आज अपने पूर्वजो का सर गर्व से फिर ऊँचा करूँगा
आज में तलवार उठाता हूँ
शोर्ये के नए मायने रचूंगा
आज केसरी रंग में खुद को रंगुंगा
आज में अँधेरे का सीना चीर सत्य को रोशन करूँगा
आज में तलवार उठाता हूँ
पर्वत हो चाहे कितना भी ऊँचा
आकाश की छाती चीर आज संहार करूँगा
आज में युद्ध का शंखनाथ बजाता हूँ
आज में तलवार उठाता हूँ
सत्य को आज रोशन करुँग
आज नया इतहास रचूंगा
या गौरव रथ हासिल करूँगा
या हजारो वीरो की गुमनामी में खो जाऊंगा
मगर आज में नहीं जुकुंगा
मृत्युभ या लक्ष्य किसी एक को हसील करूँगा
आज में तलवार उठाता हूँ
Rajputana Poem
अक्शर अचाई का रास्ता गंदिगी से हो कर गुजरता है।
अगर कुछ अच्हा करना है तो गंदिगी को ख़तम करना होगा।।
कुछ करना है अगर तो कीचड़ में खुदना ही होगा।
अगर किसी को न्याय देना है तो आज लड़ना ही होगा।।
अगर अब नहीं आगे बढ़ेंगे तो ज़िन्दगी भर लाइन में लगना ही होगा।
अगर आज कीचड़ साफ नहीं किया तो कल दलदल में फसना ही होगा ।
अगर आज कुछ नहीं किया तो कल रोना ही होगा।।
अगर अब बैठे रह गए तो ज़िन्दगी भर रोना होगा।
अगर आज आंखे नहीं खोली तो ज़िन्दगी भर आंखे बंद रखनी होगी।।
अगर आज कान बंद कर लिए तो ज़िन्दगी भर शोर सहेना होगा।
अगर आज नहीं जागे दोस्तों तो ज़िन्दगी भर सोना पड़ेगा ।।
उठो जागो अन्याय के आगे आज तलवार उठालो।
तोड़ दो आज सारी ज़ंजीरो को, बता दो इन चोरो को।
बता दो इस दुनिया को की हम रणवीर है।
बता दो की हम रंजित है।।
हम आज भी वही ताकत रखते है।
अपनी प्यास पानी से नहीं बल्कि शोनित से बुजाते है।
आज भी हम जब ललकार उठाते है तो शेर भी अपनी दुम दबाते है।।
तोड़ दो सारी ज़ंजीरो को, तोड़ दो इन बंधन को. आज जीत्लो इस दुनिया को।
सिखा दो इस दुनिया को की सिधांत क्या होते है।
आज बता दो की आदर्श क्या है।।
दिखा दो सबको की सब्दो के मोल क्या होते है ।
दिखा दो सबको की राज केसे करते है ।
सिखा दो सबको की जीवन मृत्यु क्या है।
आज बता दो इनको की एक राजपूत क्या है।
आज बता दो इनको की एक राजपूत क्या है।।
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